Hello, and thank you for your interest in commissioning us!

These rules are for hiring Ependa and Dogblud as a collaborative team. They are extensive but not complete. If you're interested in hiring one of the site's affiliates, you'll have to contact them via their own sites.

Many apologies to our ADHD clients for having to comb through all this text. I promise that reading it is as much for your benefit as ours.

If you've finished reading this page (it's a slog, I know, humor us) and have decided that you still want a commission, please send a request to dogblud at proton dot me stating that you have read and agreed to our terms. If you are unclear about any of these terms, you're welcome to ask questions, even if you think the question seems silly.

Some recently posted commissions:

This page and its contents are current as of 2/24/2025.

HOW THIS WORKS

So, the best way to describe how this works is 'like a tattoo parlor.' You schedule an appointment for your work to get done, and on the day of, once payment is received, work begins. Minimum number of hours for a session is 3; max is 6.

When payment is received, Ependa will begin working on your sketch. This will usually take one to two hours, depending on complexity/number of characters. When she's finished, I send the sketch over email for the client's approval, and, once approved, take it online to stream the rest.

It isn't necessary that the client attends these streams. You're welcome to let me work on my own! But the streams are there to ensure all my time is accounted for, and it's there to allow clients to make tweaks as needed, as well as see for themselves why a piece might need more time (if indeed it does).

NOTE: Streams are done without audio or mic and interaction is limited! Only streams advertised on my socials will be-- well. Social.

At the three hour mark, work ends, and we'll discuss how to proceed. I'll generally have a good idea of how long it'll take me to get a piece completed. To whichever level of completion the client requests. As noted below, you can request lineart and do your own coloring, if so desired (with some caveats).

Either way, if the client requests the remaining hours be spent on the piece that same day, they can send another couple hours of pay, and I'll get back to work. If the client can't pay right that second, that's ok, too! That also works the same as a tattoo parlor: just schedule another appointment when you've got the funds to pick up the remaining tab.

As for what you can expect to receive for the base three hours of work?

If you mouse over the completed commissions at the top of the page, you'll see that they have a number of hours listed in the alt text. And, prior to completing those, Ependa and I also put together a few samples, all of which are just the three hours of work:

Please be sure to let me know if there's a specific style of inks that you're looking for. No line weight lends itself to more elaborate color if that's something you're interested in pursuing with us in the future, whereas line weight locks in a specific style; sketchy inks can be upgraded later to clean, etc etc.

Point is, we're flexible and willing to work with you to manage whatever time or financial constraints you're dealing with.

BASIC RULES

RATES

There are currently no budget options available unfortunately, but we will make a note of it here when that changes. For now:

The reason we charge a three hour flat rate is even a 'one hour' piece can take prep, especially one that requires us to do the heavy lifting on finding references and the like. If you're on a tight budget and you want to get the most out of the money spent, provide as many visual references for the piece that you want as you can possibly find. Which brings us to--

REFERENCE MATERIAL

Doing the extra legwork as clients to find a specific pose you want from a pose site, or finding the *exact* kind of clothing or accessory you'd like a character to wear, not only makes our job easier, it ensures that more of the time you're paying for is spent on drawing, and not as much on prep/ research.

Here is a non-exhaustive list of references that will be super helpful:

STRENGTHS & INTERESTS

As much as folks might want to see us draw (xyz) thing or species because they'd like to see how it looks in our joint or personal styles, understand that these represent a challenge, which demands a higher investment in the material. Even if you're willing to accept higher rates, neither of us are guaranteed to have the energy or interest to devote to such a project.

If you want your request to have a higher chance of being accepted, working with our strengths is best. These include but are not limited to:

ADULT COMMISSIONS